Hollywood’s big night is tonight. What makes the Oscars so great? Let’s take a look:
What the celebrities are doing
1) Wearing unbelievably expensive clothing… once.
2) Reading from teleprompters with the charisma and flair of Al Gore circa 2000. These guys are actors, right?
3) Smiling that totally believable, sincere Hollywood smile. Especially when that other guy wins.
4) Trying to get on camera.
5) Handing golden statues of some naked guy to other celebrities.
6) Talking to Ryan Seacrest. Or Joan Rivers. Or… is Kathy Griffin still doing this bit?
7) Not being on my television until 10:00, when they start doing the real awards (sorry, best costume design).
Not getting Jon Stewart’s humor. Anyone think Matthew McConaughey is going to get the joke about CNN’s flying pie chart? Or John McCain’s flip-flop on torture?
Now, for the predictions. I haven’t seen a fair number of these movies, so some of these predictions are based on speculation from what critics have said about the movie, it’s performance at the box office, subject matter, and, my most reliable source, my gut.
Best Supporting Actor – Javier Bardem (“No Country for Old Men”). It is a tossup between him and Tom Wilkinson from “Michael Clayton.” Bardem’s character has the advantage of catching on in the popular culture. Isn’t that right, friend-o?
Best Supporting Actress – Amy Ryan (“Gone Baby Gone”). Ryan actually did are fair amount of publicity for this movie, including The Tonight Show, despite being an unknown in a movie directed by Ben Affleck and starring his brother and Morgan Freeman. Ruby Dee could get this, as well, for her work in “American Gangster.”
Best Actor – Daniel Day Lewis (“There Will Be Blood”). Maybe the best performance I have ever seen. Lewis took a movie that was almost three hours long, had no dialog for the first 20 minutes, and did not particularly care about coherence of plot, and was able to keep me totally captivated throughout. I was actually hoping it would keep going, even though my thigh muscles had begun to atrophy. The surest best among all the major awards, with Tommy Lee Jone from “In the Valley of Elah” as being the only real other contender.
Best Actress – Julie Christie (“Away From Her”). This was a very tough choice, since only Ellen Page is nominated from a movie that got a best picture nomination, and it is also the only one I have seen. However, Christie’s performance has gotten fantastic reviews, and the Academy, which had been in a bit of a rut lately with giving the award to actresses under 35, seems ready to move to expand its horizons. I am ignoring my gut on this prediction, to be honest, which is screaming Marion Cotillard from “La Vie en Rose.”
Best Adapted Screenplay – No Country for Old Men. This award may be the best predictor of the Best Picture nod, with “No Country” going up against “Blood” and “Atonement.” However, a win here may not mean the ultimate success, particularly since the “No Country” does not have a nomination in the Best Actor category, possibly indicating that “No Country” left a little to be desired. If either “Away From Her” or “The Diving Bell and the Butterfly” win, then look for a potential major upset in Best Picture.
Best Original Screenplay – Juno. If “Michael Clayton” gets the award, they should give it to the screenwriters for “The Rainmaker” or “A Civil Action” or “And Justice For All” or any of the hundreds of lawyer movies where the protagonist finds the religion of ethics in the end. Which means it will probably win. However, I’m sticking with “Juno” and it’s ability to turn teenage pregnancy into a witty, light-hearted, warm, feel-good movie for the whole family.
Best Director – Joel and Ethan Cohen (“No Country for Old Men”). I hope Paul Thomas Anderson gets real consideration for this award. After getting Tom Cruise to the point where he was nominated for an Oscar, and Adam Sandler to the point where he could legitimately be seen as a dramatic actor, clearly he has an ability to get the best performance possible out of his actors. However, I feel the momentum building for “No Country,” which leads to…
Best Picture – No Country for Old Men. My predictions may not make it seem like the truth, but this is a wide open race this year. “Atonement” took the Golden Globe in the same category. “There Will Be Blood” clearly has the best performance. “Juno” will be the popular choice, and has had by far the most box office success in the U.S. out of the five. “Michael Clayton” got fantastic reviews from the critics, although I’m not sure why, and has Hollywood darling George Clooney. However, “No Country” has the iconic character, the respected Cohen brothers who seem to have put out their best work, and late momentum.
Disagree? Let me know.